cinematic-style realistic portrait
Wong Kar-wai’s cinematic-style realistic portrait Using an uploaded photo as a reference, highlighting the jawline and neck to create a statuesque look, while maintaining the shape and identity of the face.
Pose: Sitting with his head against the window, his hand resting on the edge, the streetlight’s light shining through.
Setting: Inside an old taxi with faded leather seats, the glass fogged up by rain, and the streetlight’s light refracting into blurred streaks.
Camera angle: Shot from outside the window, with overlapping reflections on the face.
Lighting: Red-green neon lights passing by, causing the face to change color with the light. Clothing: Black button-down shirt, slightly open, hair appearing damp.
Image tone: Red-green contrast, thick film grain, pronounced motion blur, and a hazy glow around the vehicle’s headlights.
Mood: Loneliness, solitude, a sense of a big city with no answering voice.
Pose: Sitting with his head against the window, his hand resting on the edge, the streetlight’s light shining through.
Setting: Inside an old taxi with faded leather seats, the glass fogged up by rain, and the streetlight’s light refracting into blurred streaks.
Camera angle: Shot from outside the window, with overlapping reflections on the face.
Lighting: Red-green neon lights passing by, causing the face to change color with the light. Clothing: Black button-down shirt, slightly open, hair appearing damp.
Image tone: Red-green contrast, thick film grain, pronounced motion blur, and a hazy glow around the vehicle’s headlights.
Mood: Loneliness, solitude, a sense of a big city with no answering voice.
